Bouche de ventilation (Ventilation intake)

Electroacoustic soundwork / 2024

Ventilation Intake: A device for extracting and filtering vocal and pneumatic emissions, designed to purify the indoor environment.

Stereo, 13mn30
Commissioned by Motus - compagnie musicale
Premiered at festival Futura 2024.

Broadcastings :
7 septembre 2025 : Festival Supersonique, Marseille
24 août 2024 : Festival Futura, Crest
11 octobre 2024 : Festival FF.XP, La Muse en Circuit, Alfortville

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Concrétions

Electroacoustic soundwork / 2024

“Concretions” is the third movement of the electroacoustic piece “Les eaux s'accordent”, a five-movement symphony composed by five composers: Sarah Clénet, Christine Groult, Camille Lacroix, Aude Rabillon, and Anne-Laure Lejosne.

This work was commissioned by CNCM Athénor for the Festival de l’Eau, held in Saint-Nazaire in May 2024.
This group of composers was invited to explore the waters of the Saint-Nazaire region, from the marshlands of Brière to the coastline, via the Loire estuary.

“Concretions,” a movement composed from sounds recorded along the Atlantic coast, presents a soundscape eroded by gusts and surges of white noise. It evokes passages, tidal flows and ebbing currents that slowly and continuously reshape this shifting edge of the coastline, threatened with dissolution.

Stereo piece, 10 minutes
Commissioned by Athénor – CNCM
Premiere at the Festival de l’Eau 2024
This work was supported by a grant for the creation of an original musical work from the French Ministry of Culture – Prefect of the Pays de la Loire Region.

Broadcastings :
14 septembre 2025 : Paysages Composés, Grenoble
18 mai 2024 : Festival de l'Eau, St Nazaire
24 août 2024 : Festival Futura, Crest
16 novembre 2024 : Les Instants Fertiles, St Nazaire

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Quatre hymnes mous
(Four flabby hymns)

Electroacoustic soundwork / 2023

Quatre hymnes mous ("Four flabby hymns") is a celebration without momentum in four distended movements.

Stereo piece, 9’45
Commissioned by Ici l’Onde
Premiere at the Ekhoes Festival, 2023
Finalist for the Russolo Prize 2024

November 23, 2024 — Nova Alternativa, Prague (CZ)
November 9, 2024 — Fabbrica del Vapore, Milan (IT)
October 12, 2024 — L’Acousmonef, La Monnerie-le-Montel (FR)
September 28, 2024 — St Andrew’s Church, Leicester (UK)
August 24, 2024 — Analix Gallery, Geneva (CH)
August 30, 2024 — Festival des Cabanes, Faverges (FR)
January 13, 2024 — Petit Palais, Paris (FR)
December 1, 2023 — Ekhoes Festival, Chalon-sur-Saône (FR)

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Transformer designed to utilize small wasted energies

Electroacoustic soundwork / 2022

A collection of sound miniatures corresponding to the energies listed in Marcel Duchamp’s eponymous text.

Stereo piece, 20’30
Released on the Tsuku Boshi label.
Presented at: Futura Festival 2023, Supersonique Festival 2022, Musique à Réactions Festival 2022 (carte blanche by Motus)

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DUST (d'autres unités sémiotiques temporelles)

Booklet / 2022

A booklet accompanying the electroacoustic piece “Transformer designed to Utilize Small Wasted Energies.” It constitutes an improbable addendum to the research conducted by the MIM in Marseille on “temporal semiotic units” (UST).

The booklet, entitled DUST (d’autres unités sémiotiques temporelles / “other temporal semiotic units”), offers a morphological and semantic analysis, along with a graphic representation of each of the “wasted energies” described in Duchamp’s text. The publication is accompanied by a disc gathering the 19 corresponding sound miniatures.

40 pages, text and drawings, CD
Edition of 50 copies.

Symphonie malléable
("Malleable Symphony")

Electroacoustic soundwork / 2022

Stretchable pieces for influenceable ensembles.

Octophonic piece, 11'
Composed and premiered at the CRD of Pantin in June 2022

Gyrolalies

Electroacoustic soundwork / 2021

Pieces for singers with rotating heads

Stereo piece, 13'
Composed and premiered at the CRD of Pantin in June 2021

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Brumes brames bois abois

Electroacoustic soundwork / 2020

A piece composed from sounds of Erik Nussbicker’s instrumentarium, made from the bones of a deer.

Stereo piece, 8’30
Composed and premiered at the CRD of Pantin in June 2020
Radio broadcasts: Phaune Radio, Radio Nunc, Pi-node, …

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Pepibus conciliabus

Electroacoustic soundwork / 2019

Cackling, croaking, hooting bestiary.

Stereo piece, 5’30
Composed and premiered at the CRD of Pantin in June 2019

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Grabüg-eûment

Electroacoustic soundwork / 2019

“Grabüg-eûment is something between a grunt and a whistle, with a kind of sneeze in the middle. It is the sound of lost pigs.”

Stereo and octophonic versions, 3'
Composed at the CRD of Pantin in February 2019
Presented at: Futura Festival, Supersonique Festival, Exhibitronic Festival, C-LAB (Taipei), NEMC 2023 (Nagoya)
Winner of the Petites Formes Prize (TPMC), 2022

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